"Švanda dudák: Svanda dudak (Schwanda, the Bagpiper): Polka and Fugue (arr. G.C. Bainum)" by Glenn Cliffe Bainum, Jaromír Weinberger, Paul Riedo, Dallas Wind Symphony, Frederick Fennell was released on March 1, 2012. Since Švanda dudák: Svanda dudak (Schwanda, the Bagpiper): Polka and Fugue (arr. G.C. Bainum) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Pomp & Pipes". In this album, this song's track order is #9. Švanda dudák: Svanda dudak (Schwanda, the Bagpiper): Polka and Fugue (arr. G.C. Bainum) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Švanda dudák: Svanda dudak (Schwanda, the Bagpiper): Polka and Fugue (arr. G.C. Bainum) by Glenn Cliffe Bainum, Jaromír Weinberger, Paul Riedo, Dallas Wind Symphony, Frederick Fennell having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia nobilissima | Robert Jager, Japan Air Self-Defense Force Western Air Band, Hiroyuki Kayo | D Minor | 2 | 7A | 153 BPM | ||
Overture in Five Flat | Julie Giroux, University of North Texas Symphonic Band, Lowell Graham | F Minor | 5 | 4A | 93 BPM | ||
Soprano Saxophone Concerto: IV. Wood | John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss | F Minor | 0 | 4A | 64 BPM | ||
Who Cares? (after Gershwin): Strike Up The Band | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | F Minor | 0 | 4A | 107 BPM | ||
A Duet For Our Time: Of Anguish | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | B Minor | 0 | 10A | 71 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | C Major | 3 | 8B | 71 BPM | ||
And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
Benedictus - Duett für Flügelhorn und Euphonium | Oblt Philipp Werlen, Tromp Manuel Renggli, Tromp Florian Karlen, Rekrutenspiel Schweizer Militärmusik - Brass Band | D♭ Major | 1 | 3B | 79 BPM |