John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker made "Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine)" available on August 29, 2006. With Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Orff: Carmina Burana Suite / Bird: Serenade / Reed: La Fiesta Mexicana". In this album, this song's track order is #6. Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) by John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | C Major | 3 | 8B | 74 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Vigils Keep | Julie Giroux, University of Texas at El Paso Symphonic Winds, Ron Hufstader | D Major | 2 | 10B | 140 BPM | ||
T-Bone Concerto | Joseph Alessi | C Major | 2 | 8B | 113 BPM | ||
Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
With Each Sunset (Comes the Promise of a New Day) | Richard Saucedo, Midwest Wind Ensemble | F Major | 1 | 7B | 73 BPM | ||
フラッシング・ウインズ | Jan van der Roost, 大阪市音楽団 | F Minor | 3 | 4A | 82 BPM | ||
Second Suite In F For Military Band: Song Without Words | United States Air Force Band | C Minor | 0 | 5A | 69 BPM | ||
The Wilderness | Rossano Galante, Ad Hoc Wind Orchestra, Jean-Pierre Haeck | C Minor | 2 | 5A | 83 BPM |