Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery's 'Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale' came out on November 8, 2010. With Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 66 in the song's album "Pas de Deux". In this album, this song's track order is #13. In terms of popularity, Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale by Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Valse - Pas de vendanges | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 157 BPM | ||
Don Quixote: Act I: Scene of the Toreadors | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 128 BPM | ||
Petit Allegro (from La Bayadère) | Douglas Schultz, Ludwig Minkus | G Major | 3 | 9B | 94 BPM | ||
Armida: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 100 BPM | ||
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 14 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 2 | 8A | 107 BPM | ||
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM |