Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act I: Scene of the Toreadors" available on February 24, 2004. With Don Quixote: Act I: Scene of the Toreadors being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 16 out of 59. Based on our statistics, Don Quixote: Act I: Scene of the Toreadors's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act I: Scene of the Toreadors by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite: VIII. Bolero (after G. Bizet): Torero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | F Major | 3 | 7B | 97 BPM | ||
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 14, Danse de la flûte | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 134 BPM | ||
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Klipp-Klapp, Galopp, Op. 466 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | F Major | 3 | 7B | 156 BPM | ||
Don Quixote: Act III: Dryads' Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A♭ Major | 3 | 4B | 161 BPM | ||
Paquita: Variation 9: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 79 BPM | ||
Carnival of the Animals: No. 10. Aviary | Camille Saint-Saëns, Stanislav Gorkovenko, St. Petersburg Radio & TV Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Pesther Csárdás Op. 23 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 147 BPM | ||
Wienawski: Kujawiak | Tenenbaum & Kapp | A Minor | 1 | 8A | 140 BPM |