"If We Hold On Together (From "The Land Before Time")" by Erich Kunzel, Cincinnati Pops Orchestra was released on October 1, 1992. The duration of If We Hold On Together (From "The Land Before Time") is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. If We Hold On Together (From "The Land Before Time")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Young At Heart by Erich Kunzel, Cincinnati Pops Orchestra. The song's track number on the album is #7 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, If We Hold On Together (From "The Land Before Time") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since If We Hold On Together (From "The Land Before Time") by Erich Kunzel, Cincinnati Pops Orchestra has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With If We Hold On Together (From "The Land Before Time") being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Titles From "Beetlejuice" | Cincinnati Pops Orchestra, Erich Kunzel | D♭ Major | 1 | 3B | 114 BPM | ||
Copland: Suite from Appalachian Spring: VI. Meno mosso (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
A Thing of Tomorrow | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | E Minor | 1 | 9A | 90 BPM | ||
Love Theme From "Romeo And Juliet" (Arr. C. Dragon) | Nino Rota, Cincinnati Pops Orchestra, Erich Kunzel, William Tritt | D♭ Major | 1 | 3B | 79 BPM | ||
A. Scotto: Orchestral Set n.2 "Watermarks" (V) | Aurelio Scotto, Symphony Chamber Orchestra 2001 | D Major | 3 | 10B | 126 BPM | ||
The Long Day Closes: III. The Day at Rest | Milo Paulus | E♭ Major | 1 | 5B | 69 BPM | ||
The Barn - Love Theme | Lucie Svehlová | D Minor | 3 | 7A | 65 BPM | ||
Bright day | Alejandro Llovet Abascal | C Major | 1 | 8B | 120 BPM | ||
Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | F♯ Minor | 1 | 11A | 84 BPM | ||
Variation 2: I. The Beginning of the End | Matthew Slater, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 131 BPM |