Reynaldo Hahn, Munich Radio Orchestra, Herve Niquet, Chœur du Concert Spirituel, Thomas Dolie, Artavazd Sargsyan's 'L'île du rêve, Acte 2: II. Scène. Or, Adam que venait de bercer un long rêve' had a release date set for October 23, 2020. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Reynaldo Hahn: L’île du rêve". In this album, this song's track order is #9. In terms of popularity, L'île du rêve, Acte 2: II. Scène. Or, Adam que venait de bercer un long rêve is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'île du rêve, Acte 2: II. Scène. Or, Adam que venait de bercer un long rêve by Reynaldo Hahn, Munich Radio Orchestra, Herve Niquet, Chœur du Concert Spirituel, Thomas Dolie, Artavazd Sargsyan having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Le ruban dénoué, 12 Waltzes for Two Pianos: I. Decrets indolents du hasard | Reynaldo Hahn, Tal & Groethuysen | D Major | 0 | 10B | 70 BPM | ||
Le rossignol éperdu: No. 20, Passante | Reynaldo Hahn, Pavel Kolesnikov | B Major | 2 | 1B | 133 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM |