Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon's 'Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia' had a release date set for September 7, 2009. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #5 out of 38 tracks. Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Amarcord - Suite: 1. Danzando nella nebbia | Nino Rota, Filarmonica della Scala, Riccardo Chailly | C Major | 3 | 8B | 128 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Petite Suite Française: I. Prélude | Richard Galliano, South Czech Philharmonic, Miran Vaupotic | C Major | 1 | 8B | 115 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM |