"Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Waltraud Meier was released on 1995. The duration of Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus) is about 3 minutes long, at 3:03. Based on our data, "Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Waltraud Meier is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Pura siccome un angelo" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 78 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Mahler: Des Knaben Wunderhorn: No. 7, Rheinlegendchen | Gustav Mahler, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | E Major | 0 | 12B | 129 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" | Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Káta Kabanová / Act 2: Jste to vy, Katerino Petrovno? | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 140 BPM | ||
Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | D♭ Major | 1 | 3B | 113 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Lachst du mich aus? ... Lach' ich dich aus?" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | A Major | 0 | 11B | 123 BPM |