"Konzert für Klavier und Orchester No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice" by NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz was released on February 21, 2013. Konzert für Klavier und Orchester No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz's "Grosse Pianisten - Vladimir Horowitz" album is number 20 out of 21. In terms of popularity, Konzert für Klavier und Orchester No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konzert für Klavier und Orchester No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice by NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Oboe Concerto in D Major TrV292: I. Allegro moderato - Live | Richard Strauss, Ensemble of Tokyo, Satoki Aoyama | D Major | 2 | 10B | 104 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II Scene 1: Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 113 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 4. Variation 3. Con moto | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 115 BPM | ||
Strauss, Richard: Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude) | Richard Strauss, Royal Concertgebouw Orchestra, Daniele Gatti | F Major | 2 | 7B | 85 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Overture | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM |