"Dance Figures, Nine Choreographic Scenes for Orchestra: 1. Spell" by George Benjamin, BBC Symphony Orchestra, Oliver Knussen was released on July 1, 2008. With Dance Figures, Nine Choreographic Scenes for Orchestra: 1. Spell being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 18 in Benjamin: Into the Little Hill by George Benjamin, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dance Figures, Nine Choreographic Scenes for Orchestra: 1. Spell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance Figures, Nine Choreographic Scenes for Orchestra: 1. Spell by George Benjamin, BBC Symphony Orchestra, Oliver Knussen is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Light Year: I. Star Gazing | Kenneth Fuchs, Sinfonia Of London, John Wilson | D♭ Major | 0 | 3B | 130 BPM | ||
Upon Silence for Mezzo-Soprano and Five Viols | George Benjamin, Susan Bickley, London Sinfonietta, London Philharmonic Orchestra | C Major | 0 | 8B | 73 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Si Yeou Ki, Pt. 1: I. Rêve et départ de San Ts'ang | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | B Minor | 0 | 10A | 101 BPM | ||
Trois estampes: No. 2, La bouée orange | Carlo Francesco Defranceschi, Valentina Lombardo | F Minor | 0 | 4A | 88 BPM | ||
Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
Poèmes pour Mi, Premier Livre: No. 1, Action de grâces | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM |