Antoine Reicha, Ivan Ilic's ' "Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto" was released on its scheduled release date, September 1, 2018. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto by Antoine Reicha, Ivan Ilic having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
交響曲 第35番 「ハフナー」 K.385~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 2 | 10B | 130 BPM | ||
18 German Dances & Ecossaises, Op. 33, D. 783: No. 6, Tanz VI - No. 7, Tanz VII - No. 8, Tanz VII (Arr. for Orchestra by Johann Ritter von Herbeck) | Franz Schubert, Munich Radio Orchestra, Oscar Jockel | E♭ Major | 0 | 5B | 92 BPM | ||
Jolantha, Königin von Jerusalem, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 141 BPM | ||
交響曲 第41番 「ジュピター」 K.551~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM | ||
Direzioni Contrarie | Alessandro Gozzo, Cats Rule the World | F Minor | 1 | 4A | 74 BPM | ||
24 trios pour trois cors: IX. Rondeau. Allegro | Antoine Reicha, Deutsche Naturhorn Solisten | E♭ Major | 0 | 5B | 132 BPM | ||
Sinfonia in D Major, Wq. 183/1, H. 663: II. Largo | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | B♭ Major | 0 | 6B | 97 BPM | ||
Sonata in A Minor, BWV 965 (after Sonata No. 1 for strings and continuo from Hortus Musicus by Reincken): III. Adagio - Presto | Johann Sebastian Bach, Francesco Tropea | A Minor | 0 | 8A | 128 BPM |