"18 German Dances & Ecossaises, Op. 33, D. 783: No. 6, Tanz VI - No. 7, Tanz VII - No. 8, Tanz VII (Arr. for Orchestra by Johann Ritter von Herbeck)" by Franz Schubert, Munich Radio Orchestra, Oscar Jockel was released on October 6, 2023. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Schubert: Lieder with Orchestra". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, 18 German Dances & Ecossaises, Op. 33, D. 783: No. 6, Tanz VI - No. 7, Tanz VII - No. 8, Tanz VII (Arr. for Orchestra by Johann Ritter von Herbeck) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 18 German Dances & Ecossaises, Op. 33, D. 783: No. 6, Tanz VI - No. 7, Tanz VII - No. 8, Tanz VII (Arr. for Orchestra by Johann Ritter von Herbeck) by Franz Schubert, Munich Radio Orchestra, Oscar Jockel having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Greek Songs: II. Vivo | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | G Minor | 2 | 6A | 123 BPM | ||
String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
Meditating Orchestra | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D♭ Major | 0 | 3B | 87 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 5, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Serenade for Winds in D Minor, Op. 44: I. Moderato, quasi Marcia | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Minor | 1 | 7A | 101 BPM | ||
Händel Variations & Fugue, Op. 24: Variation I | Johannes Brahms, Nino Gvetadze | D♭ Minor | 0 | 12A | 82 BPM | ||
Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM |