On December 28, 2020, the song "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 29 a 1 ovvero 2 Clav." was released by Johann Sebastian Bach, Rosalyn Tureck. The duration of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 29 a 1 ovvero 2 Clav. is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 29 a 1 ovvero 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 485 in the song's album "The Magic of Bach". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Germany. In terms of popularity, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 29 a 1 ovvero 2 Clav. is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 29 a 1 ovvero 2 Clav. by Johann Sebastian Bach, Rosalyn Tureck having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto for 4 Harpsichords in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Nicole Hostettler, Leonore Klinckerfus, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | G Major | 1 | 9B | 109 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM |