"6 Quartette, Op. 112: I. Sehnsucht" by Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber was released on June 17, 2020. The duration of 6 Quartette, Op. 112: I. Sehnsucht is about 3 minutes long, at 3:26. Based on our data, "6 Quartette, Op. 112: I. Sehnsucht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "O schöne Nacht. Romantische Chormusik". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, 6 Quartette, Op. 112: I. Sehnsucht is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Quartette, Op. 112: I. Sehnsucht by Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Petite Messe solennelle - Kyrie: Christe | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | F Minor | 0 | 4A | 129 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Liebesliederwalzer, Op. 52: V. Die grüne Hopfenranke | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Stella Doufexis, Marlis Petersen, Christoph Berner, Camillo Radicke, Konrad Jarnot | A♭ Major | 1 | 4B | 140 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Der Herr ist mein Hirt | Bernhard Klein, Taipei Male Choir, Frieder Bernius | A Major | 1 | 11B | 97 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder! | Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir | A♭ Minor | 0 | 1A | 76 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM |