"Weep, O mine eyes" by John Bennet, Amarcord was released on 2006. The duration of Weep, O mine eyes is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Weep, O mine eyes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Weep, O mine eyes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Weep, O mine eyes by John Bennet, Amarcord having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
Fyer, Fyer! | Thomas Morley, Reading Phoenix Choir, Christopher Hann | F Major | 2 | 7B | 78 BPM | ||
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder! | Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir | A♭ Minor | 0 | 1A | 76 BPM | ||
St. Marc Passion, BWV 247 / Pt. 2: No. 44, Bei deinem Grab und Leichenstein | Johann Sebastian Bach, Kölner Akademie, Amarcord, Michael Alexander Willens | B♭ Major | 3 | 6B | 134 BPM | ||
The Hope of Loving: No. 2, Wild Forces | Jake Runestad, Conspirare, Craig Hella Johnson | G Major | 2 | 9B | 116 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Weep O Mine Eyes | John Bennet, Vocal Arts Ensemble | A Minor | 2 | 8A | 126 BPM | ||
Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |