Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"

George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood
Handel: Messiah
3:15 1980年1月1日
テンポ
114
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" - George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood 情報

音響性
96%
ダンサビリティ
26%
エネルギー
26%
手段性
5%
活気
16%
ラウドネス
74%
話し言葉
4%
価数
30%
人気
ラウドネス
-15.782 dB

まとめ

George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood's 'Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"' came out on January 1, 1980. The duration of Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" is about 3 minutes long, at 3:15. Based on our data, "Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Judith Nelson, Emma Kirkby, Carolyn Watkinson, Paul Elliott, David Thomas, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood's "Handel: Messiah" album is number 12 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" テンポ

We consider the tempo marking of Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" by George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" キー

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Solomon, HWV 67: The Arrival Of The Queen Of Sheba by Georg Friedrich Händek, Robert Haydon Clark, Consort of LondonSolomon, HWV 67: The Arrival Of The Queen Of ShebaGeorg Friedrich Händek, Robert Haydon Clark, Consort of LondonB♭ Major36B120 BPM
Rondo in D Minor, Wq. 61/4, H. 290 by Carl Philipp Emanuel Bach, Christopher HinterhuberRondo in D Minor, Wq. 61/4, H. 290Carl Philipp Emanuel Bach, Christopher HinterhuberB♭ Major16B135 BPM
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentBach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assaiJohann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentE Major312B109 BPM
Sonata in D Minor, K. 9 by Domenico Scarlatti, Ivo PogorelichSonata in D Minor, K. 9Domenico Scarlatti, Ivo PogorelichD Minor07A94 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisA Minor18A79 BPM
Oboe Concerto in D Minor, S. Z799: III. Presto by Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela KrčkováOboe Concerto in D Minor, S. Z799: III. PrestoAlessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela KrčkováD Minor57A103 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Overture in G Major, TWV 55:10 Overture in G Major, TWV 55:10 "Burlesque de Quixotte": Ses soupirs amoureux après la Princesse DulcinéeGeorg Philipp Telemann, Collegium Instrumentale Brugense, Patrick PeireG Major09B117 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto by Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraBach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tantoJohann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraA Minor38A118 BPM
ISRC
GBF077930227
レコードレーベル
L-M Records/RCA Records