On November 17, 2009, the song "Magnificat in D Major, BWV 243: IV. Omnes generationes" was released by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod. With Magnificat in D Major, BWV 243: IV. Omnes generationes being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in Bach: Magnificat; Mass in G Minor by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Magnificat in D Major, BWV 243: IV. Omnes generationes is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Magnificat in D Major, BWV 243: IV. Omnes generationes by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Anthem for Queen Caroline, HWV 264: II. The Ways of Zion Do Mourn | George Frideric Handel, Alsfelder Vocal Ensemble, Bremen Baroque Orchestra, Wolfgang Helbich | D♭ Major | 1 | 3B | 101 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Magnificat, RV 610: 2. Et Exultavit spiritus meus | Antonio Vivaldi, Kaia Urb, Anna Zander, Mati Turi, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 1: Chorale: Wie bin ich doch so herzlich froh | Johann Sebastian Bach, Malin Hartelius, Nathalie Stutzmann, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 68 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Major | 1 | 4B | 93 BPM | ||
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
Matthäus-Passion: Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden | Johann Sebastian Bach, Sunhae Im, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 103 BPM |