Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Neil Brough, Le Concert d'Astrée made "Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an"" available on November 7, 2008. The duration of Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Bach: Cantatas, BWV 51, 82 & 199 by Johann Sebastian Bach, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" by Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Neil Brough, Le Concert d'Astrée is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Sonata In B Minor, K. 33 | Domenico Scarlatti, Ingolf Wunder | B Minor | 1 | 10A | 93 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM |