"May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel")" by Hans May, Joseph Schmidt, Felix Günther, Parlophon Orchester was released on 1992. The duration of May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") is about 3 minutes long, at 3:05. Based on our data, "May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Schmidt's "Joseph Schmidt - The Complete EMI Recordings Vol. 2" album is number 8 out of 39. On top of that, Germany appears to be the country where this track was created. May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") by Hans May, Joseph Schmidt, Felix Günther, Parlophon Orchester to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Annchen von Tharau | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | B Major | 1 | 1B | 96 BPM | ||
Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | D Major | 1 | 10B | 87 BPM | ||
Jawohl, meine Herr'n | Hans Albers | D♭ Major | 5 | 3B | 118 BPM | ||
Die Julischka Aus Budapest | Aniko Benkö | B Minor | 5 | 10A | 136 BPM | ||
Dwenadzad Rasboinikov - Die zwölf Räuber | The Royal Song Association Mastreechter Staar, Chantal Janzen, Bèr Schellings, Roger Moens | G Major | 1 | 9B | 84 BPM | ||
Der Greifer: Kannst du mir sagen, wie spat es ist? | Hans May, Charlotte Susa, Ilja Livschakoff Dance Orchestra, Ilja Livschakoff | G Major | 3 | 9B | 121 BPM | ||
Schweden-Mädel | Lys Assia | F♯ Major | 4 | 2B | 173 BPM | ||
Lass uns träumen vom Lago Maggiore | Rudi Schuricke | D Major | 3 | 10B | 117 BPM | ||
Gasparone: "Auch ich war einst ein junger Mann" | Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos | G Major | 2 | 9B | 115 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM |