Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester's 'Die lustige Witwe: Da geh' ich zu Maxim' came out on April 10, 2008. The duration of Die lustige Witwe: Da geh' ich zu Maxim is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Die lustige Witwe: Da geh' ich zu Maxim's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angelika Kirchschlager, Alfred Eschwe's "My Heart Alone" album is number 4 out of 16. On top of that, Germany appears to be the country where this track was created. Die lustige Witwe: Da geh' ich zu Maxim is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die lustige Witwe: Da geh' ich zu Maxim by Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jente o Jente (Anatevka) | Sylvia Anders, Eva Pilz, Ursela Monn | A Major | 4 | 11B | 101 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): Hilfe kommt zur rechten Zeit! O kommet doch, o kommt, Ihr Ballsirenen (Danilo/Damen/Alle) | Franz Lehár, Josef Knapp/Hanny Steffek/Eberhard Waechter/Elisabeth Schwarzkopf/Nicolai Gedda/Kurt Equiluz/Hans Strohbauer/Franz Böheim/Philharmonia Orchestra/Philharmonia Chorus/Lovro von Matacic, Christine Parker, Doreen Murray, Eberhard Waechter, Eilidh McNab, Franz Böheim, Hanny Steffek, Hans Strohbauer, Josef Knapp, Kurt Equiluz, Leslie Wood, Nicola Gedda, Noreen Willett, The Philharmonia Chorus, Rosemary Phillips, Lovro Von Matacic, Philharmonia Orchestra | G Major | 2 | 9B | 101 BPM | ||
Dein ist mein ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 83 BPM | ||
Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Ach, ich hab in meinem Herzen - mit den "Limburger Domsingknaben" | Johannes Kalpers | B Major | 3 | 1B | 117 BPM | ||
Maske in Blau: Ja, das Temp'rament | Fred Raymond, Marika Rökk, Werner Schmidt-Boelcke | B♭ Major | 3 | 6B | 76 BPM | ||
Gräfin Mariza, IEK 4: Komm mit nach Varasdin | Emmerich Kálmán, Donau Philharmonie Wien, Gabrielle Heidelberger, Armin Kolarczyk | F Major | 3 | 7B | 85 BPM | ||
Schau mich bitte nicht so an (La vie en rose) | Rudi Schuricke | C Major | 3 | 8B | 86 BPM | ||
Das Schönste Im Leben | Solomon Raleign | B♭ Major | 2 | 6B | 93 BPM |