"Viola Concerto in G Minor: I. Appassionato - Moderato" by Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff was released on 2011. Viola Concerto in G Minor: I. Appassionato - Moderato appears to be safe for all ages as it is not explicit. The song is number 1 out of 5 in Forsyth: Viola Concerto - Martin: Ballade pour alto, orchestre à vent, clavecin et harpe - Bruch: Romanze für Viola und Orchester by Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff. In terms of popularity, Viola Concerto in G Minor: I. Appassionato - Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola Concerto in G Minor: I. Appassionato - Moderato by Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | Johannes Brahms, David Zinman | E Major | 0 | 12B | 142 BPM | ||
Concerto in D major: Allegro (Cadenza: Hartmut Rohde) | Franz Anton Hoffmeister, Hartmut Rohde, Georg Mais | D Major | 1 | 10B | 122 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
String Sextet in D Major, Op. 10 (Arr. H. Rohde for Orchestra): I. Moderato - Allegro | Erich Wolfgang Korngold, NFM Leopoldinum Orchestra, Hartmut Rohde | D Major | 1 | 10B | 75 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Jascha Heifetz, Walter Hendl | D Major | 3 | 10B | 118 BPM | ||
Khovanshchina, Act II: Sili potayniye, sili velikiye | Modest Mussorgsky, Vesselina Kasarova, Philharmonie Baden-Baden, Pavel Baleff | A♭ Major | 2 | 4B | 87 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Tanz-Suite, Op. 30: III. Intermezzo: Fliessende Achtel | Ernst Toch, Marieke Schneemann, Lars Wouters van den Oudenweijer, Priya Mitchell, Hartmut Rohde, Stacey Watton, Daniel Tummes, Thomas Carroll | C Major | 0 | 8B | 126 BPM |