On January 1, 1982, the song "The Fairy Queen, Z. 629 / Act 1: Prelude (I)" was released by Henry Purcell, English Baroque Soloists, John Eliot Gardiner. With The Fairy Queen, Z. 629 / Act 1: Prelude (I) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen, Z. 629 / Act 1: Prelude (I)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Fairy Queen, Z. 629 / Act 1: Prelude (I) by Henry Purcell, English Baroque Soloists, John Eliot Gardiner having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone) | Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 171 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D♭ Major | 1 | 3B | 93 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: 21. without indication - 22. without indication | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 129 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM |