Jean-Marie Leclair, Gwen Hoebig, Karl Stobbe's 'Sonata for Two Violins in G Major, Op. 3 No. 1: II. Allegro ma poco' had a release date set for February 2, 2018. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Marie Leclair, Gwen Hoebig, Karl Stobbe's "Leclair: Six Sonatas for Two Violins, Op. 3" album is number 2 out of 19. In terms of popularity, Sonata for Two Violins in G Major, Op. 3 No. 1: II. Allegro ma poco is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Two Violins in G Major, Op. 3 No. 1: II. Allegro ma poco by Jean-Marie Leclair, Gwen Hoebig, Karl Stobbe to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto for Oboe d’amore in A Major, BWV 1055R: I. Allegro - Reconstruction of BWV 1055, Concerto in A Major for Harpsichord | Johann Sebastian Bach, Gonzalo X Ruiz, Monica Huggett, Portland Baroque Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Cello Sonatas, Set 2: Sonata No. 1: I. Adagio | Giovanni Benedetto Platti, Sebastian Hess, Axel Wolf | D♭ Major | 0 | 3B | 43 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Leclair: Violin Concerto in B-Flat Major, Op. 10 No. 1: II. Andante | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | F Major | 5 | 7B | 107 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM |