"Le Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4": La Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4"" by Alexander Scriabin, Vladislav Lavrik, Russian National Orchestra, Norbert Gembaczka, Mikhail Pletnev was released on July 3, 2015. Le Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4": La Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4" appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Scriabin: Symphony No. 1 in E Major, Op. 26 & The Poem of Ecstasy, Op. 54". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Le Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4": La Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4": La Poeme de l'extase (The Poem of Ecstasy), Op. 54, "Symphony No. 4" by Alexander Scriabin, Vladislav Lavrik, Russian National Orchestra, Norbert Gembaczka, Mikhail Pletnev having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
I. January. By the Fireside | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Minor | 1 | 10A | 103 BPM | ||
Evening Songs, B. 61: No. 8, You Little, Tiny Birds, Op. 31 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 69 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Giubiloso | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Minor | 3 | 3A | 48 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |