"O bienheureux celuy (Ps. 32)" by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin had its release date on September 5, 2000. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. O bienheureux celuy (Ps. 32)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 27 in Chansons et psaumes de la réforme by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. O bienheureux celuy (Ps. 32) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O bienheureux celuy (Ps. 32) by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O choruscans stellarum | Hildegard von Bingen, Sequentia, Barbara Thornton | G Minor | 0 | 6A | 170 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Che chos'è quest'amor | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 75 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
Hélas mon Dieu (Ps.) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | F♯ Minor | 1 | 11A | 72 BPM |