Giovanni Battista Bassani, Ensemble StilModerno made "Sonata No. 6 in F: II. Allegro" available on December 11, 2012. With Sonata No. 6 in F: II. Allegro being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Based on our statistics, Sonata No. 6 in F: II. Allegro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 6 in F: II. Allegro by Giovanni Battista Bassani, Ensemble StilModerno is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonata No. 4 in D: III. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | A Major | 2 | 11B | 113 BPM | ||
Sonata No. 7 in A: I. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | A Major | 4 | 11B | 105 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
Trio Sonata in D Minor: I. Adagio | Johann Christoph Pepusch, La Camerata de Paris | E Major | 1 | 12B | 69 BPM | ||
Sonata a tre in sol minore: II. Adagio | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 111 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Sonata No. 8 in G Minor: II. Presto | Giovanni Battista Bassani, Ensemble StilModerno | G Minor | 1 | 6A | 118 BPM | ||
La Morte delusa: Sempre Di Morte E Dell'inferno Ad Onta | Giovanni Battista Bassani, Daniela del Monaco, Philippe Jaroussky, La Fenice, Jean Tubéry, Jean-claude Saragosse, François Piolino, Emanuela Galli | B♭ Minor | 1 | 3A | 94 BPM |