"Sonata a tre in sol minore: II. Adagio" by Giovanni Maria Bononcini, Musica Antiqua Latina was released on April 22, 2016. With Sonata a tre in sol minore: II. Adagio being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 28 in Corelli Bolognese - Trio Sonatas by Corelli and his Successors by Musica Antiqua Latina. In terms of popularity, Sonata a tre in sol minore: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a tre in sol minore: II. Adagio by Giovanni Maria Bononcini, Musica Antiqua Latina is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita for Violin and Lute in G Minor, BWV 997r: IV. Gigue | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 68 BPM | ||
Arie, correnti, sarabande, gighe et alemande, Op. 4: Corrente. La Montanara | Giovanni Maria Bononcini, Gianfranco Iannetta, Daniele Proni | C Major | 2 | 8B | 174 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Arie, Correnti, Sarabande, Gighe & Allemande op. 4: III. Allemanda »La Fogliana« | Giovanni Maria Bononcini, Georg Kallweit, Ombra e Luce, Björn Colell | F♯ Major | 2 | 2B | 128 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Trio Sonata in A Minor, BuxWV 254: III. Lento - IV. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Folias Americanas: II. Tango congo | Calixto Alvarez, Ensemble Vedado, Ronald Martin Alonso | F Major | 1 | 7B | 103 BPM | ||
Psalmi ad Vesperas, Op. 12, Domine, ad Adjuvandum: III. Allegro | Giovanni Paolo Colonna, Musica Antiqua Latina, Giordano Antonelli | B♭ Major | 2 | 6B | 79 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM |