Wiener Philharmoniker, Herbert von Karajan made "Casse-noisette : Danse chinoise" available on August 6, 2016. With Casse-noisette : Danse chinoise being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Tchaïkovski : Casse-noisette". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Casse-noisette : Danse chinoise is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Casse-noisette : Danse chinoise by Wiener Philharmoniker, Herbert von Karajan having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schönbrunner, Walzer Op.200 | Joseph Lanner, Wiener Philharmoniker, Franz Welser-Möst | F Major | 1 | 7B | 123 BPM | ||
Violin Concerto In D, Op. 61: 3. Rondo (Allegro) | Ludwig van Beethoven, Fritz Kreisler, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Tritsch-Tratsch-Polka, Op. 214: "Tritsch-Tratsch-Polka" | Philharmonia Orchestra, Herbert von Karajan | A Major | 4 | 11B | 80 BPM | ||
Ohne Aufenthalt, Polka Schnell, Op.112 | Eduard Strauss, Wiener Philharmoniker, Franz Welser-Möst | A Major | 5 | 11B | 105 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM |