"Mazurka No. 22 in G sharp minor, Op. 33 No. 1" by Frédéric Chopin, Pepe Romero was released on May 22, 2020. With Mazurka No. 22 in G sharp minor, Op. 33 No. 1 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 207 in the song's album "The Best Chopin". In this album, this song's track order is #164. Furthermore, we believe that the track originated from Netherlands. Mazurka No. 22 in G sharp minor, Op. 33 No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mazurka No. 22 in G sharp minor, Op. 33 No. 1 by Frédéric Chopin, Pepe Romero having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M.60 - For Piano Duet, M.60: 1. Pavane de la Belle au bois dormant | Maurice Ravel, Roger Muraro, Hortense Cartier-Bresson | F Minor | 2 | 4A | 74 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
Carnaval, Op. 9: 4. Valse noble | Robert Schumann, Arthur Rubinstein | G Major | 1 | 9B | 118 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 6, Golliwog's Cake Walk | Claude Debussy, Moura Lympany | F♯ Major | 0 | 2B | 113 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Theme varies et 12 Minuets, Op. 11: Menuet No. 1 | Fernando Sor, John Holmquist | G Major | 1 | 9B | 79 BPM | ||
Piano Quintet In A, Op.81, B. 155: 4. Finale (Allegro) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 123 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 3, Fruhlings Ankunft | Franz Liszt, Joseph Banowetz | G Major | 0 | 9B | 98 BPM |