Rundfunkorchester des Südwestfunks Baden-Baden made "The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!"" available on January 2, 2019. The duration of The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #13 out of 16 tracks. In terms of popularity, The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
The Arrival Of The Queen Of Sheba, From Solomon | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 3 | 11B | 118 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Ouvertüre "Wilhelm Tell" | André Rieu, Johann Strauss Orchestra | E Major | 8 | 12B | 160 BPM | ||
The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 3 | 8B | 124 BPM | ||
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM |