George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon made "The Arrival Of The Queen Of Sheba, From Solomon" available on April 9, 2002. The duration of The Arrival Of The Queen Of Sheba, From Solomon is about 3 minutes long, at 3:11. Based on our data, "The Arrival Of The Queen Of Sheba, From Solomon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 24 in A Baroque Feast by Tafelmusik Baroque Orchestra, Jeanne Lamon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Arrival Of The Queen Of Sheba, From Solomon is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Arrival Of The Queen Of Sheba, From Solomon by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Cello Concerto No.1 in A major, L. 20: I. Andantino grazioso | Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma | D♭ Minor | 2 | 12A | 134 BPM | ||
Messiah, HVW 56, Part 1, Scene 4: Pifa | George Frideric Handel, Bible, Charles Jennens, Rebaroque, Gary Graden | E Minor | 1 | 9A | 100 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
Sylvia, Suite: 3. Pizzicati | Léo Delibes, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 142 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Harp Concerto in B flat, Op.4, No.6, HWV 294: 1. Andante allegro | George Frideric Handel, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | F Major | 2 | 7B | 101 BPM |