Ernesto de Curtis, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra's 'Tu, ca nun chiagne!' came out on January 1, 2006. The duration of Tu, ca nun chiagne! is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Tu, ca nun chiagne!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Plácido Domingo's "Italia ti amo" album is number 6 out of 17. In terms of popularity, Tu, ca nun chiagne! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tu, ca nun chiagne! by Ernesto de Curtis, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM | ||
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
Gioia | Yusif Eyvazov | G Major | 4 | 9B | 82 BPM | ||
Perdón - Obsesión | Pedro Flores Cordova, Pedro Flores, Plácido Domingo, Bebu Silvetti, The VVC Symphonic Orchestra | A Minor | 5 | 8A | 100 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - "V'è gente alla finestra" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 2 | 10B | 130 BPM | ||
Turandot / Act II: No, no, Principessa altera (Calaf, Altoum, Coro) | Giacomo Puccini, Plácido Domingo, Piero de Palma, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D♭ Major | 3 | 3B | 83 BPM | ||
Verdi: Aida, Act 4: "Presago il core della tua condanna" (Radamès, Aida) | Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra | D Major | 9 | 10B | 142 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM |