"12 Etudes d'exécution transcendante, S.139: No.4 Mazeppa (Presto)" by Franz Liszt, Claudio Arrau was released on January 1, 1977. Since 12 Etudes d'exécution transcendante, S.139: No.4 Mazeppa (Presto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Claudio Arrau's "Liszt: 12 Etudes d'exécution transcendante" album is number 4 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, 12 Etudes d'exécution transcendante, S.139: No.4 Mazeppa (Presto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes d'exécution transcendante, S.139: No.4 Mazeppa (Presto) by Franz Liszt, Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: VI. Variation V a 1 o vero 2 Clavier | Johann Sebastian Bach, Claudio Arrau | G Major | 1 | 9B | 128 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Lyric Pieces Book V, Op. 54: No. 5 Scherzo | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 66 BPM | ||
Violin Concerto No. 3 in B minor Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B Minor | 1 | 10A | 79 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Rachmaninov: Suite No. 2 in C Major, Op. 17: II. Valse. Presto | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Major | 1 | 9B | 83 BPM |