"Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus)" by Luigi Boccherini, Svetla Krasteva, Fernanda Piccini, Manuel Beltran-Gil, Duccio dal Monte, Cappella Santa Cecilia della Cattedrale di Lucca, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi was released on August 1, 2013. Since Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 15 in Boccherini: Symphony in D Major, Op. 42, Gloria, Credo & Kyrie by Luigi Boccherini, Gianfranco Cosmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) by Luigi Boccherini, Svetla Krasteva, Fernanda Piccini, Manuel Beltran-Gil, Duccio dal Monte, Cappella Santa Cecilia della Cattedrale di Lucca, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello concerto No. 9 in B-Flat Major, G 482: I. Allegro moderato | Luigi Boccherini, Mark Pekarsky, Mark Drobinsky, Dimitri Liss, Orchestre d'Ekaterinbourg | B♭ Major | 0 | 6B | 134 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM |