Louis-Nicolas Clérambault, A Nocte Temporis, Reinoud Van Mechelen's 'L'amour, guéri par l'amour: III. Récitatif "Ainsy de son tourment il se plaignoit sans cesse"' came out on January 26, 2018. With L'amour, guéri par l'amour: III. Récitatif "Ainsy de son tourment il se plaignoit sans cesse" being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 31 in Clérambault: Cantates françaises by Louis-Nicolas Clérambault, A Nocte Temporis, Reinoud Van Mechelen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. L'amour, guéri par l'amour: III. Récitatif "Ainsy de son tourment il se plaignoit sans cesse" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'amour, guéri par l'amour: III. Récitatif "Ainsy de son tourment il se plaignoit sans cesse" by Louis-Nicolas Clérambault, A Nocte Temporis, Reinoud Van Mechelen is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alegria | Green Nature | A♭ Major | 1 | 4B | 117 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo | Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies Françoises | F♯ Minor | 2 | 11A | 115 BPM | ||
Miserere: Quoniam iniquitatem meam | Louis-Nicolas Clérambault, Hasnaa Bennani, Claire Lefilliâtre, Isabelle Druet, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 72 BPM | ||
Te Deum, ZWV145: Te Deum laudamus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 2 | 4B | 121 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM |