"The Hebrides Overture, Op. 26, "Fingal's Cave"" by Felix Mendelssohn, George Szell, Cleveland Orchestra was released on July 20, 2018. The Hebrides Overture, Op. 26, "Fingal's Cave" appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, George Szell, Cleveland Orchestra's "Mendelssohn: Symphony No. 4, Op. 90 "Italian" & The Hebrides Overtures - Weber: Overture to Oberon" album is number 5 out of 6. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Hebrides Overture, Op. 26, "Fingal's Cave"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hebrides Overture, Op. 26, "Fingal's Cave" by Felix Mendelssohn, George Szell, Cleveland Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 139 BPM | ||
Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM | ||
Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 84 BPM | ||
5 German Dances, D.89 (D.90) - Arranged For 7 Trios And 1 Coda For String Quartett: 1. Deutscher Tanz - Trio I - Trio II In C Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | C Major | 0 | 8B | 133 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: II. The Tsarina in a Barrel at Sea | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 1 | 6A | 171 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Symphony No.7 in D minor, Op.70: 4. Finale (Allegro) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | B Minor | 2 | 10A | 129 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM |