"Four Songs on Hebrew Texts: Ad matai (How long?)" by Gerald Cohen, Marija Stroke was released on January 1, 2007. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 5 out of 16. On top of that, United States appears to be the country where this track was created. Four Songs on Hebrew Texts: Ad matai (How long?) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Songs on Hebrew Texts: Ad matai (How long?) by Gerald Cohen, Marija Stroke to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
An das Meer | Max Reger, Otto Franz Gensichen, Lunds Studentsångare, Christian Schultze | E Major | 1 | 12B | 69 BPM | ||
Comprendo l'inganno, Archivio di Montecassino, Fondo musicale, 6d - 11/42a, 42b, 42c - Tre canzonette per chitarra francese | Mazzola, Alessandro Minci, Tania Di Giorgio | F Major | 1 | 7B | 120 BPM | ||
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM |