"La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta was released on January 1, 2000. With this song being about 5 minutes long, at 4:40, "La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: La Bohème". In this album, this song's track order is #8. In terms of popularity, La Bohème / Act 1: "Che gelida manina" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 1: "Che gelida manina" by Giacomo Puccini, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Questo Mar Rosso" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 98 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Non t'amo più | Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | E Major | 3 | 12B | 84 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo!...Ancora un passo or via" (Butterfly, Sharpless, Chorus) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 3 | 2B | 77 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Oh, quand je dors, S 282 | Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | E Major | 3 | 12B | 86 BPM | ||
Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 5 | 10B | 84 BPM |