On July 14, 2020, the song "Secondo set di assolo per flauto e basso continuo, Op. 2a: No. 2, Sonata in re minore: IV. Vivace" was released by Johann Christoph Pepusch, Claudio Ferrarini. With Secondo set di assolo per flauto e basso continuo, Op. 2a: No. 2, Sonata in re minore: IV. Vivace being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Christoph Pepusch, Claudio Ferrarini, Accademia Farnese's "J. Ch. Pepusch: 3 Concertos, Op. 8 (1717) and 3 Flute Sonatas, Ed Walsh (1709)" album is number 15 out of 22. On top of that, Italy appears to be the country where this track was created. Secondo set di assolo per flauto e basso continuo, Op. 2a: No. 2, Sonata in re minore: IV. Vivace is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Secondo set di assolo per flauto e basso continuo, Op. 2a: No. 2, Sonata in re minore: IV. Vivace by Johann Christoph Pepusch, Claudio Ferrarini to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
6 Solos: Sonata in C Major: III. Largo | Alessandro Besozzi, Brynjar Hoff, Kåre Nordstoga | G Major | 1 | 9B | 79 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
The Beggar's Opera, Act 1, Scene 1, Peachum's House: 18. Oh What Pain It Is to Part | Johann Christoph Pepusch, Pro Arte Orchestra, Sir Malcolm Sargent | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto Grosso for Violin, Strings and Basso Continuo in B Flat Major: IV. Adagio | Johann Christoph Pepusch, Tassilo Erhardt, The Harmonious Society of Tickle-Fiddle Gentlemen | F♯ Minor | 1 | 11A | 136 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Magnificat: No. 1, Sinfonia | Johann Christoph Pepusch, The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson | D♭ Major | 2 | 3B | 97 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM |