"Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai" by Robert Schumann, Jan Vogler, Hélène Grimaud was released on August 19, 2013. With Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Schumann: Fantasiestücke op. 73, Dichterliebe op. 48, Andante und Variationen op. 46". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai by Robert Schumann, Jan Vogler, Hélène Grimaud having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile | Roman Hoffstetter, Orpheus Chamber Orchestra | C Major | 0 | 8B | 93 BPM | ||
Piano Trio No. 43 in C Major, Hob. XV: 27: I. Allegro | Joseph Haydn, Trio Wanderer | A Minor | 2 | 8A | 80 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Nocturne No.12 in E Major “Nocturne Caractéristique: Noontide”, H.13 | John Field, Elizabeth Joy Roe | E Major | 2 | 12B | 129 BPM | ||
Polka, for piano quatre-mains | Adolfo Berio, Arthur Jussen, Lucas Jussen | F Major | 2 | 7B | 97 BPM | ||
Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 130 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: 6. Fast Dance | Béla Bartók, Hélène Grimaud | G Major | 2 | 9B | 91 BPM | ||
Souvenir d'un lieu cher, Op. 42, TH 116: No. 1, Meditation | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg | B♭ Major | 1 | 6B | 134 BPM |