Roman Hoffstetter, Orpheus Chamber Orchestra made "String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile" available on January 1, 1993. The duration of String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile is about 3 minutes long, at 3:16. Based on our data, "String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 13 in Classical Hits by Orpheus Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of String Quartet In F Major, Hob.III No.17, Op.3 No.5 - "Serenade": II. Andante cantabile by Roman Hoffstetter, Orpheus Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Genadi Cherkasov, Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: II. Españoleta y Fanfare del la caballería de Nápoles: Adagio | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | A Minor | 0 | 8A | 92 BPM | ||
Albinoni: Concerto a cinque in G Minor, Op. 10 No. 2: II. Andante | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 105 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM |