"La nuit. l'amour sommeillant: VI. responce Doulce Mémoire" by Pierre Certon, Capilla Flamenca was released on November 23, 2009. The duration of La nuit. l'amour sommeillant: VI. responce Doulce Mémoire is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La nuit. l'amour sommeillant: VI. responce Doulce Mémoire's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Capilla Flamenca's "Lassus: Bonjour mon coeur" album is number 27 out of 27. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, La nuit. l'amour sommeillant: VI. responce Doulce Mémoire is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La nuit. l'amour sommeillant: VI. responce Doulce Mémoire by Pierre Certon, Capilla Flamenca to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je l'ay aimé | Pierre Certon, Boston Camerata, Joel Cohen | C Major | 0 | 8B | 86 BPM | ||
Amour a tort | Pierre Certon, Joel Cohen, Boston Camerata | F Major | 0 | 7B | 110 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM |