Claude Debussy, Krystian Zimerman's ' "Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir - Live" was released on its scheduled release date, November 18, 1993. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 24 in Debussy: Preludes by Claude Debussy, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir - Live is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir - Live by Claude Debussy, Krystian Zimerman is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino simplice | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | D♭ Major | 0 | 3B | 98 BPM | ||
10 Pieces for Piano, Op. 58: Der Hirt, No. 4 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 1 | 3B | 121 BPM | ||
Années de pèlerinage I, S. 160: V. Orage | Franz Liszt, Lazar Berman | F Minor | 4 | 4A | 107 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Piano Sonata No.3 in F sharp minor, Op.23: 2. Allegretto | Alexander Scriabin, Vladimir Ashkenazy | B Major | 2 | 1B | 66 BPM | ||
Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung | Robert Schumann, Martha Argerich | B♭ Minor | 3 | 3A | 101 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Gnossiennes: No. 7 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 74 BPM | ||
Pelléas et Mélisande, L. 88 / Act III: "Viens, nous allons nous asseoir ici" | Claude Debussy, José van Dam, Patrizia Pace, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 166 BPM |