"Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung" by Robert Schumann, Martha Argerich was released on April 5, 2024. The duration of Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Robert Schumann, Martha Argerich's "Martha Argerich Plays Schumann" album is number 37 out of 43. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung by Robert Schumann, Martha Argerich to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: 6 Études, Op. 111: No. 1, Tierces majeures et mineures | Camille Saint-Saëns, Bertrand Chamayou | A♭ Minor | 1 | 1A | 104 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Ravel: Sonatine, M. 40: III. Animé (Live) | Maurice Ravel, Martha Argerich | D Major | 1 | 10B | 83 BPM | ||
Suite No.2 For 2 Pianos, Op.17: 3. Romance (Andantino) | Sergei Rachmaninoff, Martha Argerich, Nelson Freire | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Minor | 5 | 6A | 91 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM | ||
Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Marie Luise Neunecker, Natalia Gutman | A♭ Major | 2 | 4B | 124 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM |