Rita Strohl, Yoshika Masuda, HyeJin Kim's 'Great Dramatic Sonata, "Titus et Bérénice": II. Vivace - Molto movimento' came out on March 8, 2024. Great Dramatic Sonata, "Titus et Bérénice": II. Vivace - Molto movimento is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Yoshika Masuda, HyeJin Kim's "Hidden Flame" album is number 6 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Great Dramatic Sonata, "Titus et Bérénice": II. Vivace - Molto movimento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Great Dramatic Sonata, "Titus et Bérénice": II. Vivace - Molto movimento by Rita Strohl, Yoshika Masuda, HyeJin Kim to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Will Tomorrow, I Wonder, Be Cloudy or Clear? | Toru Takemitsu, Laura van der Heijden, Jâms Coleman | B♭ Major | 0 | 6B | 72 BPM | ||
The Lark Ascending: III. Allegretto molto tranquillo | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | F Minor | 0 | 4A | 124 BPM | ||
Serenade (arr. for cello and guitar) | Anonymous , Gaspar Cassadó, Claremont Duo | B♭ Major | 1 | 6B | 74 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: II. Presto non assai | Johannes Brahms, Florestan Trio | F Minor | 0 | 4A | 89 BPM | ||
Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin | Robert Schumann, Duo Sinossi, Marianna Sinagra, Lorenzo Cossi | G Major | 0 | 9B | 138 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 12. Meno allegro e maestoso | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Songs of Travel: No. 2, Let Beauty Awake (Transcr. E. Nisbeth for Viola & Piano) | Ralph Vaughan Williams, Ellen Nisbeth, Bengt Forsberg | F♯ Minor | 0 | 11A | 127 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM |