Robert Schumann, Duo Sinossi, Marianna Sinagra, Lorenzo Cossi's 'Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin' came out on December 2, 2022. With Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "R. Schumann: Complete Works for Cello & Piano". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Italy. Based on our statistics, Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin by Robert Schumann, Duo Sinossi, Marianna Sinagra, Lorenzo Cossi having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
美麗四季夏 | 蘇顯達, 真如 | G Major | 2 | 9B | 91 BPM | ||
Jesus Cristo, Meu Senhor | Diego Adinolfi | A♭ Major | 1 | 4B | 112 BPM | ||
Elegy in C Minor, Op. 24 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | F Minor | 0 | 4A | 81 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Schumann: Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | B Major | 0 | 1B | 78 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 1. Poco meno andante, ma molto tranquillo | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 1, Lied, "Meine Töne still und heiter" (Heiter und lebhaft) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | C Major | 2 | 8B | 134 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM |