"Andrea Chénier / Act 2: Ecco l'altare...Eravate posente" by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. Since Andrea Chénier / Act 2: Ecco l'altare...Eravate posente is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 14 out of 30. Andrea Chénier / Act 2: Ecco l'altare...Eravate posente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 2: Ecco l'altare...Eravate posente by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Don Carlo, Act I: Io duolo della terra (Un frate/Carlo) | Giuseppe Verdi, Luciano Pavarotti, Andrea Silvestrelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Les Pêcheurs de perles, WD 13, Act II: L'ombre descend des cieux! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Julie Fuchs, Luc Bertin-Hugault, Les Cris De Paris | A♭ Major | 0 | 4B | 110 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM |