"Wozzeck, Op. 16: Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie)" by Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Rundfunk-Kinderchor Berlin, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht was released on January 1, 1995. With this song being about 5 minutes long, at 4:41, "Wozzeck, Op. 16: Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie)" by Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Rundfunk-Kinderchor Berlin, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manfred Gurlitt, Gerd Albrecht's "Gurlitt, M.: Wozzeck [Opera]" album is number 13 out of 19. In terms of popularity, Wozzeck, Op. 16: Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wozzeck, Op. 16: Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie) by Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Rundfunk-Kinderchor Berlin, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM | ||
Goya-Sinfonie (Goya-Symphony): II. Allegro, "Volkstumliche Maskerade" (Popular Masquerade) | Manfred Gurlitt, Berlin Radio Symphony Orchestra, Antony Beaumont | C Major | 1 | 8B | 148 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Violin Sonata in A Major, M. 8: IV. Allegretto poco mosso | César Franck, Shinichi Suzuki, Manfred Gurlitt | A Major | 3 | 11B | 97 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I: Am stillen Herd in Winterszeit | Richard Wagner, Franz Völker, Studio Orchestra, Manfred Gurlitt | G Minor | 1 | 6A | 103 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM |