Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Giselle: Act I: Entree de Loys' came out on November 3, 1994. With Giselle: Act I: Entree de Loys being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. In terms of popularity, Giselle: Act I: Entree de Loys is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act I: Entree de Loys by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
Othello Suite: Venice (Nocturne) | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | E Minor | 0 | 9A | 83 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 3 | 10B | 99 BPM | ||
Czech Dances, Book 1: No. 4. Polka in B-Flat Major | Bedřich Smetana, Antonin Kubalek | F Major | 1 | 7B | 69 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
Raymonda, Act II: Entrees des garçons Arbes | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 2 | 10B | 84 BPM | ||
Symphonic Dances, Op.64: 2. No. 2 in A | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | A Major | 0 | 11B | 115 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM |