Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper's '5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance"' came out on March 15, 1989. 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 15 out of 19 in English Festival by Edward Elgar, Slovak Radio Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
マードックからの最後の手紙~ 2021 ~ | 玉名女子高等学校吹奏楽部 | B♭ Minor | 3 | 3A | 149 BPM | ||
ワシントン・ポスト | Japan Air Self-Defense Force Central Band | E♭ Major | 4 | 5B | 119 BPM | ||
The Planets, Op. 32: 4. Jupiter, The Bringer Of Jollity | Gustav Holst, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 133 BPM | ||
歌劇「ローエングリン」より「エルザの大聖堂への行列」 (L. カイエ編) | Richard Wagner, Lucien Cailliet, 飯守泰次郎, 東京佼成ウインドオーケストラ | B♭ Major | 1 | 6B | 63 BPM | ||
マスカレード・ホテル 〜メインタイトル〜 | Naoki Sato | F Minor | 5 | 4A | 179 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | ||
星粂旗よ永遠なれ | Japan Air Self-Defense Force Central Band | E♭ Major | 4 | 5B | 119 BPM | ||
組曲「展覧会の絵」 プロムナードI (モーリス・ラヴェル編曲 / マーク・ハインズレイ吹奏楽編曲) | Modest Mussorgsky, Mark Hindsley, Kazuyoshi Akiyama, Osaka Shion Wind Orchestra | F Major | 0 | 7B | 86 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM |